Sundance Review: Zion and His Brother

Score:A-

Director:Eran Merav

Cast:Ronit Elkabetz, Tzachi Grad, Reuven Badalov, Ofer Hayun

Running Time:84.00

Rated:NR

Though the coming-of-age genre is crowded, few films contain the inspiration and innocence that lies within the depths of Zion and His Brother. Created by first time film maker Eran Merav, the film tells the story of Zion, a young boy whose life is turned upside down after a series of events cause a ripple between himself and his older brother Meir. The dialogue and actions that follow that fateful day in the park helps separate the film from its counterparts, making it one of the few unexpected bright spots of Sundance.

Taking the reigns as the film's leading star is Reuven Badalov, a young male actor in his debut. Tabbed as Zion, Badalov was forced to play on a roller coaster of emotions and attitudes. The task was a challenge, and would have been too much for many young stars, but Badalov handled the role with care, brining Zion to life and creating a memorable relationship with his co-star Tzachi Grad.

Encompassing the role of Zion's brother Meir, Grad had just as difficult a role as his on-screen brother. Tapped with some unfortunate decisions and a series of misguided actions, Meir finds his family in a state of turmoil. With nowhere to turn, he takes his frustrations out on himself and his younger counterpart, bringing about the story's message of growing up and adapting to those around you. His performance is critical in the overall success of the film and he easily knocks the ball out of the park, giving audiences a fresh, innovative and mysterious character to follow during the numerous trials and tribulations that occur during the picture.

Yet even with the two strong performances, in the end, the film is a storyteller's masterpiece. The exquisite way that writer/director Eran Merav depicts his characters, sending their simple structure into an overbearing, complex situation is film making at its best. The emotions and relationships are portrayed with near flawless precision, making you sit up and pay attention.

In addition, the cinematography is dead on as the background landscapes and colors mesh well with the mood of the story, sending the audience on a journey unlike any other. The actions are intense and the consequences intimate, but the powerful narrative and its unexpected intimacy help make this film and its disastrous course of characters one to watch.

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About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

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