Review: The Attorney

Score:B+

Director:Yang Woo-Seok

Cast:Kim Yeong-ae, Kwak Do-won, Oh Dal-su, Song Kang-ho, Lim Si-wan

Running Time:127.00

Rated:NR

The Attorney is one of the most important movies of the year. It's one of the biggest movies ever in South Korea, which is even more amazing considering it's about one of the darker times in its nation's history. Try to imagine an alternate reality where Good Night and Good Luck was the biggest movie of 2005, even bigger than the superhero flick, and you have some idea.

I bring up that film specifically because they're both about government witch hunts for "godless communists" and the iconic men who tried to stop them. Song Kang-ho plays Song Woo-seok, a money-hungry-but-above-board attorney specializing in real estate and tax law. He's oblivious to the protestors outside his window. He views them as a nuisance, and during a dinner with friends, he accuses the college students of just trying to get out of class.

But his tune changes when the son of the restaurant owner goes missing. His distraught mother searches all over Busan, even in the morgue. She eventually gets a letter from the government informing her that her son has been arrested for crimes against the state and will be put on trial with some of his classmates in two days. She turns to Song to defend her son, even though he doesn't know much about criminal law. Yet he has passion, and that turns into rage once he learns of the torture her son endured for a false confession.

His passion carries the movie, which is often too on-the-nose in its politics. The movie's also a real crowd-pleaser"”though not in an everything's going to be OK way"”but also seems prescient about what's going on in the world. The case that inspired the film actually happened in South Korea in 1981, but it feels like the corrupt justice system and government it's portraying could be in any country today, even in republics like the United States.

"This could never happen here," many people would say. They probably said that in Egypt and Ukraine, too. 

The Attorney is a triumphant good-vs-evil tale, even if the victory isn't the kind we're used to in America. It will receive a limited release in February, and while it's not a perfect movie, it's too important to miss. 

Facebooktwitterredditmail

About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

Leave a Reply