Review: RoboCop

Score:B

Director:José Padilha

Cast:Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish, Samuel L. Jackson

Running Time:118 Minutes

Rated:PG-13

Imagine that the machine is the slick action movie and the man inside is the thriller with a satirical edge. Which one wins out? In this remake of RoboCop, unfortunately the former. Still, it's a really awesome machine. 

Like so many remakes of films from the 1980s, this essentially has no reason to exist. The original is a violent, darkly hilarious take on revenge films and corporate corruption. In a bloodless PG-13 update, there's little time for such nuance. 

Luckily, Brazilian director José Padilha knows how to stage an action scene perfectly, using as many practical effects as possible. The editing is also top-notch. You can actually see what's happening. The only downside is it occasionally feels too much like a video game. 

Saving it from being all machine is Gary Oldman as the doctor who designs the robotics that save the life of Det. Alex Murphy (Joel Kinnaman). He genuinely wants to use this technology to improve society. But since he's on the payroll of Omnicorp, led by a terrifically oily Michael Keaton, he keeps messing with what already works to please his bosses, taking away Alex's humanity in the process.

This shouldn't work at all, so the fact that any of it does is something of a miracle. One of the film's strongest elements, though your mileage may vary, is Samuel L. Jackson's performance as Pat Novak, the host of a Fox News-style program that bears a striking similarity to the one Roger Allam presided over in V for Vendetta. He dishes out pro-business propaganda and asks loaded questions like, "Does this make Congress pro-crime?" I wanted more of this and less of the shoot-outs.

There's a better movie lurking somewhere deep inside this version of RoboCop. It's there in the dramatic scenes with Abbie Cornish as Alex's wife. It's there in the confrontation between Alex and the chief of police (Marianne Jean-Baptiste). But those keep getting pushed aside in favor of more gunplay and motorcycle chases.

Could this remake of RoboCop have been great? Absolutely. Is it the complete disaster it could have been? Absolutely not. There's a solid action movie here with a few elements that give it some intelligence and heft. The latter could have been stronger were they not always deferring to the part of the brain that likes to see explosions.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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