T2 Transpotting Image

Review: T2 Trainspotting

Score: B+

Director: Danny Boyle

Cast: Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Robert Carlyle

Running Time: 117 Minutes

Rated: R

Choose life. Again. The sequel to Trainspotting succeeds in being another wild trip through Edinburgh's dirty streets, dark pubs and dingy flats. Like its actors, it's got a little extra flab but still has the moves.

Ewan McGregor returns as Renton, the one member of the quartet from the original that managed to leave his drug-heavy life behind (though with the bag of cash that they were all supposed to split evenly). He's been living in Amsterdam for 20 years, though not much happier than the rest of the crew.

Simon (Jonny Lee Miller) is still conning people, though with a Ukrainian girlfriend and a nasty cocaine addiction. Spud (Ewen Bremner) has relapsed into using heroin, ending his marriage and losing him visitation rights for his son. And Begbie (Robert Carlyle) has just escaped from prison after being denied parole again. Yet all of them still have a gleam in their eye that they may one day get out of their situations.

That's part of why T2 works (and also why the original worked so well): This subject matter is extremely dour, and there's an effective but incredibly bleak drama to be made from that. But writer Irvine Welsh (adapting his novels), director Danny Boyle and the cast refuse to play it that way. They'd much rather indulge in gallows humor (literally at one point) and exquisitely soundtrack each fight, drug trip and epiphany.

Nothing can touch the original for sheer exhilaration, exhaustion and that rare feeling of "I'm seeing something happen onscreen that I've never seen before." That can only happen when everyone involved is "young, scrappy and hungry" (to borrow a line from Hamilton) and working without a safety net. T2 has more than 10 times the budget of the original, and its sleek digital photography and CGI are in stark contrast to the dingy look and horrifying practical effects of Trainspotting. Yet there's still risk here, even for an actor as suave as Ewan McGregor. He doesn't have to dive into a toilet in this one, but still ends up with a face full of vomit after saving Spud from a suicide attempt.

Still, the movie feels a little weighted down by trying to fill in the 20 year-gap between film and story. It's a good half-hour longer than the original, and it's easy to see where they could have trimmed. In particular, Begbie's attempt to reconnect with his son, who's more interested in college than the family trade of burglary and drugs, feels more sentimental than this movie should be.

T2 is a stellar sequel because it's not high on its own past. It's really a movie about life's disappointments and how unchecked nostalgia can make it worse. Their lives weren't really better when they were young junkies. They just didn't have to pay for their decisions as much. T2 is their hilarious, disturbing reckoning.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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