Review: Fame

Score:B

Director:Kevin Tancharoen

Cast:Kristy Flores, Asher Brook, Paul Iacono, Paul McGill, Kherington Payne

Running Time:107.00

Rated:PG

Disclaimer: I, as an individual, live for films such as Fame. I enjoy them for their feel-good spirit as well as their ability to show off those who have been blessed with a gift for the arts. The musical numbers are almost always inspiring, and the way they come together marks that of true talent, giving me the itch to stand up and join the chorus.

Any time you decide to remake an old classic, you must be careful - especially when it comes to a musical. The choreographed numbers must be perfectly 'reinvented,' doing justice to the original while sparking interest in an entirely new generation. While I have never seen the original or the inspired TV show or stage play, I will say that Kevin Tancharoen's Fame is the perfect escape for any performing arts appreciator.

The film opens up on 'Audition Day.' The stakes are high and the tension is fierce as over 10,000 students compete for 200 spots at the prestigious New York School of Performing Arts. Throughout the rest of the film, we follow the freshman class through graduation day as they learn to cope with the struggles for attention, the false-promise of success, and the challenges of standing out in a highly competitive environment. Along the way, each student will discover their inner talent, utilizing it to determine their future as well as the price they are willing to pay for fame.

Mixing a group of fresh, hot talent with a few veteran performers, the film successfully delivers the master-apprentice relationship that exists within every trade. Kherington Payne, who enters the acting world after a stint on Fox's 'So You Think You Can Dance,' lights up the screen with her dynamic style and approach. She is complimented by Kristy Flores, Asher Book, Paul Iacono and Naturi Naughton, all of whom trigger heartfelt emotion and glee with their respective talents. Kelsey Grammar, Megan Mullally and Bebe Neuwirth give supporting performances as the school's teachers, holding their own amongst the up and comers, at times showing off their own hidden talents as well.

But in all honesty, the film belongs to the talent, and most of that comes from the new guys. The dances, the voices, and the monologues; each is presented with heart and soul, connecting with you and making you believe that each of these guys have a future within the industry. In reality, many of the actors are experiencing their first film role with Fame, but it hardly shows. Their talent shines through, allowing the graceful moves or soulful voices to overshadow any and all miscues that might result from inexperience in front of a camera.

Granted, many of the scenes are a bit cliché, especially the one involving a trip to an old-classmates' trailer, but that is what you have to expect from films such as this. Sure the story is going to be generic and the characters a bit over-the-top; but when you venture into these movies, you go for the entertainment value of the performers. You go to see the high-kicks, the charismatic numbers, and the trials and tribulations of those striving to be a star.

My lone complaint with the film is its end sequence. While most musically charged features go out with a bang, leaving audiences wanting more, Fame opts to go at it a bit differently. Here, a more serene approach was used, signifying a graduation and a move on to bigger and better things. This is not the end of the story for these guys, simply a branching off point for the many individual stories to take hold and develop. It didn't ruin the movie, and I do understand the difficulty of trying to integrate such a wide array of skills into one number. However, with a film such as this, you kind of expect it to be big - unfortunately, it wasn't.

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About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

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