Review: Burlesque

Score:C

Director:Steve Antin

Cast: Cher, Christina Aguilera, Cam Gigandet, Stanley Tucci

Running Time:119.00

Rated:PG-13

Having been in a show choir in college I admittedly have a soft spot for stage performance.  Burlesque, a unique and musically driven film from director Steve Antin, relies heavily on the vocals of its leading songstress - if it had been anyone other than Christina Aguilera I don't think the film would have worked.

Featuring the typical set of story lines Burlesque was easily predictable from the onset.  Aguilera plays Ali, a young aspiring performer who has just made the trip from Iowa to Los Angeles.  Along the way she befriends a bartender who might hold the key to her future at the somewhat hidden 'Burlesque Lounge'.  But she will have to impress Tess, the owner, if she ever wants to get up on stage.

I was most interested to see how Aguilera did in her feature film debut.  The verdict:  surprisingly well.  In fact, I would even venture to say that she shares an unusually strong on-screen bond with co-star Cher.  But it should be noted that Cher, who is first billed and bears an Oscar to her name, is harshly underused in her portrayal of Tess.  There was surprisingly no duet, no cat fight and no man drama.  Of all the things this film could have done, I'm speechless that the 'legend' and the 'star' never opted to share the mic in an all out diva battle between the two powerful songstresses.

The music is catchy and up-beat, a tempo that will please crowds but handicaps the story.  One too many music montages were used to help expedite the plotline, and every dilemma seemed fixed within a matter of seconds.  Don't get me wrong, i love fast paced stories, but when you get a room full of attention seeking stage performers there is bound to be a bit more drama and diva attitude than was on display.

Ultimately, Burlesque is nothing more than a two hour music video; though it opts to  take advantage of the lack of censorship as it adds a little drive with some revealing costumes and provocative dances.  Stanley Tucci is on top of his game as Tess's sidekick Sean, but then again,I expect nothing less from the ultimate supporting actor.  This film will not see the same praise as either Chicago or Mamma Mia!; however, at the end of the day, the productions make the film.  Burlesque is not the best option out there, but a fun choice nonetheless.

 

Facebooktwitterredditmail

About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

Leave a Reply