Sundance Review: Bronson

Score:A

Director:Nicolas Winding Refn

Cast:Tom Hardy, Matt King, James Lance, Kelly Adams

Running Time:92.00

Rated:NR

Capitalizing on the unique and clever direction of Nicholas Winding Refn and the potent and witty personality of the film's main subject, Bronson is a film that breaks down borders, providing for an unusually fun and explosive journey through the rigors of hell.

Told in the style of a personal memoir, we get introduced to Bronson, Britain's most violent prisoner, during the film's opening moments. His demeanor, personality and devilish antics are quickly brought to the forefront as he lays the groundwork for the film that would soon show his life. His words, leading viewers along throughout the entire film, are spoken with a harsh, matter-of-fact tone as they become the lone constant in a worlds of ever change.

Beyond the narration, the film excels through its direction and Tom Hardy's faultless performance. Fully encompassing the body and mind of Bronson, Hardy digs deep, brining forth a man who seeks pain and suffering. His performance is haunting; yet the dialogue and personality combat that image with one of wit and hysteria. Rarely is he not laughing at himself or those around him, using his violent tendencies to bring about the most bi-polar character in recent memory. His performance is spellbounding, addicting and painfully intense, helping to set the tone throughout.

On the other side of the camera, Refn does a brilliant job at showing the two sides to Bronson. With a unique blend of color and an eye for shot selection, the film carries a gritty, almost documentary style to it. The bloodshed and overpowering movements are captured in a classic, state of the art way, showcasing the showmanship of Hardy and the strong camera work of Refn. The cell rooms are perfectly planned out, showing Bronson's numerous attempts at escape, and the way in which each moment is captured puts the audience up close and personal.

Together, the two aspects compliment one another nearly flawlessly, serving up the ultimate adventure for those on screen and shining some light on a one-of-a-kind character in Charlie Bronson. The film is violent, with a constant possibility of bloodshed, but with the progression of the story, anything less would be a sheer disappointment.

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About Stephen Davis

Stephen Davis
I owe this hobby/career to the one and only Stephanie Peterman who, while interning at Fox, told me that I had too many opinions and irrelevant information to keep it all bottled up inside. I survived my first rated R film, Alive, at the ripe age of 8, it took me months to grasp the fact that Julia Roberts actually died at the end of Steel Magnolias, and I might be the only person alive who actually enjoyed Sorority Row…for its comedic value of course. While my friends can drink you under the table, I can outwatch you when it comes iconic, yet horrid 80s films like Adventures in Babysitting and Troop Beverly Hills. I have no shame when it comes to what I like, and if you have a problem with that, then we’ll settle it on the racquetball court. I see too many movies to actually win any film trivia contest, so don’t waste your first pick on me. My friends rent movies from my bookcase shelves, and one day I do plan to start charging. I long to live in LA, where my movie obsession will actually help me fit in, but for now I am content with my home in Austin. I prefer indies to blockbusters, Longhorns to Sooners and Halloween to Friday the 13th. I miss the classics, as well as John Ritter, and I hope to one day sit down and interview the amazing Kate Winslet.

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