Weekend Box Office Report: January 9-11 2014

BOX OFFICE REPORT 

January 9-11, 2015(estimates from BoxOfficeMojo.com)

TOP 51. Taken 3 (40.4 million)2. Selma ($11.2 million)3. Into the Woods ($9.7 million)4. The Hobbit 3 ($9.4 million)5. Unbroken ($8.3 million)

Liam Neeson put his particular set of skills to work, giving the third chapter in the Taken series its third straight No. 1 opening. That's less than Taken 2, but in this franchise of diminishing returns, Taken 3 will almost certainly make less than that sequel, which also made less than the original, which seemed to come out of nowhere in January 2009 to take the world by storm.

Selma, Ava DuVernay's portrait of Martin Luther King, Jr.'s rise to prominence in the Civil Rights Movement, opened in second place with $11.2 million. Riding a wave of great reviews"”it's at 98 percent on Rotten Tomatoes"”and possible Oscar nominations, it could get even bigger in the weeks to come, especially with MLK Day on the 19th.

The rest of the top films were very familiar, but most surprising was The Hobbit falling to fourth place, behind Into the Woods. The latter has now passed $105 million, while Unbroken also crossed that major threshold. But all three are likely to come up with only one or two Oscar nominations on Thursday morning. 

Outside the top 5: - This Weekend's Indie Champ: American Sniper, Clint Eastwood's biopic of U.S. Navy sniper Chris Kyle, still stood strong on only four screens, averaging $138,750. That's three weeks in a row as the top earner and good for three of the best averages of all time. It goes wide next week.

- A Most Violent Year continued its success into 2015. The acclaimed drama averaged $30,250 on the four screens it stayed on.

- Looks like The Woman in Black 2 is hearing its own death knell. Last week's only new wide release dropped nearly 68 percent to No. 9. It's unlikely to even pass $30 million. But to put that in perspective: That's still better than Sin City: A Dame to Kill For.

Next week: It's the battle of the historical dramas. American Sniper, finally hitting wide release, goes up against Selma. Despite the latter's very relevant message, timeliness and merit, it's going to be No. 2 again, but will likely earn more than it did this week. American Sniper's going to be No. 1 and it's going to be big, even bigger than Lone Survivor's wide opening this time last year. $40 million at least. 

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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