Criterion Comes for All Your Christmas Money with November Releases

Just in time for the holidays (and possibly some Black Friday sales), Criterion will be releasing some major cinematic milestones for you and the other cinephiles in your life, including the American Film Institute's greatest comedy of all time, a gigantic box set on one of the greatest directors of all time, and the only film made by the lead singer of the Talking Heads.

The month kicks off with a trip to Japan, with Kenji Mizoguchi's A Story from Chikamatsu (also known by the metal-as-hell title The Crucified Lovers), available November 6. Part of the director's early '50s resurgence, it was nominated for the Palme d'Or at Cannes. The brand new 4K restoration includes revised subtitles, a new interview with actor Kyoko Kagawa and two essays.

November 13 sees the release of Some Like It Hot, which AFI named No. 1 on its list of 100 Greatest Comedies. The Tony Curtis-Jack Lemmon romp featured great performances (including Marilyn Monroe) and an incredible script, which ended with one of the best last lines of a movie ever. But while "nobody's perfect," this disc is. Another brand new 4K restoration brings the movie to its full glory. Special features include vintage TV interviews with Lemmon and Curtis, as well as director Billy Wilder, plus a featurette on the film's terrific costuming.

Then, just before Thanksgiving, Criterion has a red letter day with three important releases. First is True Stories, one of the quirkiest films of the '80s. Shot in my hometown of Dallas, the film is a series of vignettes based on supermarket tabloid stories. Featuring a great cast of character actors, including John Goodman and Swoosie Kurtz, plus counter-culture figures like Spalding Gray and Byrne himself, this is an odd film that's full of life. The film gets a much-needed restoration and plenty of brand new special features. The real treat is the bonus CD, which includes all 23 songs from the film.

And for the first time on Blu-ray, Orson Welles' The Magnificent Ambersons. Though the print itself is restored, not even Criterion could get the 40-plus minutes RKO cut from the original version. That's been presumed lost forever, but even so, the film is considered one of the best ever. The disc includes several written and video essays, plus excerpts from other versions of the film and radio dramas from Welles' Mercury Theater.

Finally, there's the motherlode: a 30-disc box set of every single Ingmar Bergman film. The Swedish director has been a staple of the Criterion Collection from the very beginning, and some of his more obscure films are finally getting their high-def upgrades, plus some that even they haven't released before. All 39 films have been restored, some even with brand new revisions (including The Seventh Seal). There are tons of interviews, commentaries and making-of documentaries, plus a 248-page book on the legendary filmmaker's career.

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About Kip Mooney

Kip Mooney
Like many film critics born during and after the 1980s, my hero is Roger Ebert. The man was already the best critic in the nation when he won the Pulitzer in 1975, but his indomitable spirit during and after his recent battle with cancer keeps me coming back to read not only his reviews but his insightful commentary on the everyday. But enough about a guy you know a lot about. I knew I was going to be a film critic—some would say a snob—in middle school, when I had to voraciously defend my position that The Royal Tenenbaums was only a million times better than Adam Sandler’s remake of Mr. Deeds. From then on, I would seek out Wes Anderson’s films and avoid Sandler’s like the plague. Still, I like to think of myself as a populist, and I’ll be just as likely to see the next superhero movie as the next Sundance sensation. The thing I most deplore in a movie is laziness. I’d much rather see movies with big ambitions try and fail than movies with no ambitions succeed at simply existing. I’m also a big advocate of fun-bad movies like The Room and most of Nicolas Cage’s work. In the past, I’ve written for The Dallas Morning News and the North Texas Daily, which I edited for a semester. I also contributed to Dallas-based Pegasus News, which in the circle of life, is now part of The Dallas Morning News, where I got my big break in 2007. Eventually, I’d love to write and talk about film full-time, but until that’s a viable career option, I work as an auditor for Wells Fargo. I hope to one day meet my hero, go to the Toronto International Film Festival, and compete on Jeopardy. Until then, I’m excited to share my love of film with you.

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