Bunraku
After premiering at the Toronto International Film Festival, Guy Moshe’s super stylistic Bunraku made it to Austin’s Fantastic Fest. Expecting something of a typical slasher flick, I was not looking forward to this film about a dystopian world where swords are used in place of guns. However, I left the theater a Guy Moshe fan interested in the style he brought to life over years of imagination. Between the narrator and the illustrations, Bunraku calls to mind the likes of Sin City and other graphic novel-to-movie translations, but the genius here is that Moshe wrote his own story and titled it after a style of Japanese puppet theater.
A dark and appropriate tone sets the scenery of the movie as an unnamed drifter (Hartnett) wanders into a town run by the Woodcutter Nicola (Ron Pearlman) and his band of killers. Smooth and ruthless, these killers- numbered 1 through 9 and dressed in red, showcase much of the film’s action in their dance-like fight scenes. The Drifter finds himself in the town’s bar seeking information from the wise and helpful bartender (Harrleson) before crossing paths with another foreigner , Yoshi (Gackt), also looking to defeat Nicola for his own reason. The two debate joining forces to bring down the tyrant, but what they do not realize is that they will have to face Nicola’s entire band of killers before ever reaching their nemesis, and the odds are against them.
The soundtrack carries the story from scene to scene as if we were watching a video game being played out, and the paper cut-outs on strings make the transitions between events, continuing to pay tribute to Goshe’s inspiration. Amidst all of this, Josh Harnett and Japanese pop star Geckt each take on the role of good guy looking for a fight, and they do so believably – despite the fact that the pop star looks a bit feminine. Kevin McKidd serves brilliantly as the number two killer, very different than what we see weekly from him on ‘Grey’s Anatomy’, and the bartender role seems to have been written specifically for Woody Harrelson. The impressive style combined with impressive performances from all the leads makes for the best surprise of the festival. Don’t miss this unique piece of stylistic cinema.
